Multi-contextual quality of „being” in the space of family life
Abstract
RESEARCH OBJECTIVE: The aim of the consideration was an attempt to perform in-depth analysis concerning woman experiences, occurring on the background of her life trajectory as well as depicture of her microcosm, emphasizing the processes of auto-identification and auto-valorization in the straggle with pressure of everyday life by the recognition and the reconstruction of this processes, the need to understand effort in biographical constructing of studied woman identity and to indicate the daily potential as well as sensitization to diversity of femininity experiences
PROBLEM AND RESEARCH METHODS: How is subject building everyday life and what importance she gives to its symptoms ? to what extent can individual decide about oneself and to what extent others determine who she was, who she is, who she will be, what existential trajectories is narrator presenting ? What importance does suffering trajectory have in the course of biography ? Methods: biographical.
THE PROCESS OF ARGUMENTATION: Analysis of woman’s trajectory experiences in the situation of marriage, in the context distinguished by her during construction of narrative, three areas of her life. Subsequently a scenario of trajectory process has been presented, pointing the course of a life and importance of persons’ competence involved in it, in the perspective of the studied individual
RESEARCH RESULTS: Analysis of narration indicates complex sources of someone’ suffering, who feels unacceptable, subordinated to an idea of marital “Neverland”, who does not have resources to accept herself in the role, who does not have time for a transformation and the need for the reflective inclusion, allowing assistance individuals, who are on the borderline, between and outside
CONCLUSIONS, NOVELITY, RECOMMENDATIONS: Presented struggle with everyday life’s pressure, in narrative is an attempt of making an area for a discourse that enable understanding and interpersonal agreement, the discourse allowing cultural rearrangement
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Copyright (c) 2019 Joanna Żeromska-Charlińska

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